Delcy Morelos' earthworks are a sensory experience like no other. As I step into her latest installation, Origo, I'm enveloped in a cool, earthy scent, reminiscent of a ranch, and a sense of peace. The 24-meter-wide, ovular pavilion with cave-like passages is a multisensory journey, inviting visitors to explore and reflect. But what makes Morelos' work truly fascinating is her deep connection to the land and her mission to elevate soil as an equal, rather than just dirt.
Morelos' art is a response to the loss of the sacred and our fear of death, the event that marks our return to the land that has nourished us. Her work is rooted in the Andean cosmovision, a worldview where mountains, seas, and the earth are perceived as sentient beings, not resources to be exploited. This perspective is a stark contrast to the extractivist culture that has dominated our relationship with the earth.
What makes Morelos' work particularly intriguing is her use of organic materials and her egg-like form, which creates an active dialogue with the Barbican's angular, concrete edifice. Her art is a celebration of the earth's abundance and a reminder of our humble origins. But it's not just about the aesthetics; it's about the experience and the connection to the land.
Morelos' work is a call to action, urging us to care for the earth and recognize our interdependence with it. Her art is a reminder that we are all made of earth, and that our actions have consequences. It's a powerful message that resonates with people from all walks of life.
In my opinion, Morelos' earthworks are a must-see for anyone interested in art, nature, and the human condition. They offer a unique perspective on our relationship with the land and a chance to connect with our primal selves. So, if you're in London, make sure to visit Origo and experience the magic of Delcy Morelos' earthworks for yourself.
